Upcoming

May 30, 2007

After a couple of weeks of relative famine, the ComicList offers a big old feast this week.

You want classic manga? Jocelyn Bouquillard and Christophe Marquet go seriously old school with Hokusai, First Manga Master (Harry N. Abrams):

“More than a hundred years before Japanese comics swept the globe, the master engraver Hokusai was producing beautiful, surreal, and often downright wacky sketches and drawings, filled with many of the characters and themes found in modern manga. These out-of-context caricatures, which include studies of facial expressions, postures, and situations ranging from the mundane to the otherworldly, demonstrate both the artist’s style and his taste.”

Dark Horse releases the second volume of Tanpenshu, collected shorts from Hiroki Endo. I’m kind of running out of patience with Endo’s Eden, but the first collection of these shorts was very satisfying reading.

Readers who are already feeling separation anxiety over the imminent conclusion of Death Note might consider Fuyimi Soryo’s ES (Del Rey) as a replacement. It’s not as outrageously suspenseful, but it’s a compelling and intelligent thriller with a surprising amount of heart. Debuting from Del Rey is Ai Morinaga’s hilarious My Heavenly Hockey Club. If you hate sports, don’t worry. Morinaga goes to great comic lengths to avoid any actual displays of athleticism with really delightful results.

Houghton Mifflin releases a paperback version of Allison Bechdel’s wonderful Fun Home, for those of you who held off on the hardcover.

I haven’t read any of them, but kudos to NBM for making sure lots of their Nancy Drew graphic novels are available to retailers before the movie debuts.

Viz delivers a whole bunch of stuff. Highlights for me include the fourth volume of Kiyoko Arai’s very funny makeover comedy, Beauty Pop, and the sixth volume of Ai Yazawa’s lovely look at young singles, Nana.


The mighty editrix

May 29, 2007

This week’s Flipped features an interview with the very talented and incredibly busy Tokyopop editor Lillian Diaz-Przybyl. She would neither confirm nor deny that she leads an army of clones to get all of her work done.


Linguistics

May 29, 2007

I love this story:

801-chan, pronounced ‘Yaoi-chan,’ is the mascot for the Misonobashi 801 shopping district, not far from Kyoto’s World Heritage Kamigamojinja shrine. And true to its roots, the character was inspired by Kyoto-grown vegetables.

“But what really made the mascot an unexpected smash with young otaku geeks is the accident of its name. ‘Yaoi,’ which was chosen by locals as a pun on the shopping center’s name, is also a slang term for a cult genre of manga comics on homosexual themes.”

Of course, the shopping district isn’t the only enterprise to find the 801-chan mascot appropriate for their ends. I smell a crossover!


Exhibitionists

May 28, 2007

It may be a long weekend, but manga marches on.

It has kind of an awful Frankenstein headline, but this piece in the Contra Costa Times by Robert Taylor has an unimpeachable primary source, Frederick Schodt, author of Manga! Manga! and Dreamland Japan. Taylor talks to Schodt about Osamu Tezuka as a means of introducing the Tezuka: Master of Manga exhibition, which opens Saturday in San Francisco at the Asian Art Museum:

“‘I think it’s to the museum’s credit to reflect the modern age,’ he says. ‘Comics have such an effect on the world, and in Japan Tezuka is god of manga. He was the founder of the modern Japanese comic format, the long, narrative story. There are lots of comic artists who are famous in Japan, but no one has reached his stature.’”

The piece is accompanied by a glossary.

Minnesota Public Radio’s Euan Kerr interviews Frenchy Lunning, editor of Mechademia, about the Shojo Manga: Girl Power exhibition hosted by the Minneapolis College of Art and Design through June 29.


Brick walls

May 26, 2007

Okay, Heidi MacDonald has excerpted Marvel Editor-in-Chief Joe Quesada’s responses to Newsarama about the recent unpleasantness(es) so you don’t have to wade through the rest of the column, which certainly constitutes a public service. It’s all kind of flabbergasting, but this bit from Quesada really made me laugh through the tears:

“Also, [Heroes for Hire] is a book that features two strong, lead female protagonist who kick major ass; somehow folks have forgotten to focus on that.”

Um… I kind of think that’s one of the things that bothers people… that the hyper-sexualized victims on the cover are, in fact, strong, kick-ass women who have been repurposed.

And seriously, if this is the kind of insight that having an exclusive arrangement with Marvel will get you (“…the Brood have tentacles, sorry about that.”), then the up side completely escapes me.


This does not bode well for my summer movie season

May 25, 2007

So we went to see 28 Weeks Later today, having really enjoyed 28 Days Later. About halfway through, I stopped counting plot twists that came up because there wouldn’t have been any more movie if they hadn’t. What a disappointment.

On the bright side, the audience was quiet and well-behaved. And I found myself unexpectedly interested in the trailer for the Fantastic Four sequel, in spite of finding the first one incredibly boring.


Cockeyed optimism

May 24, 2007

John Jakala takes the recent instances of charwomen and tentacles to list his favorite comics created by women. I can’t resist a list, so I’ll throw in a few of my own (while noting that there’s a lot of crossover between John’s list and mine):

  • Amy Unbounded by Rachel Hartman
  • Antique Bakery by Fumi Yoshinaga
  • Aya, written by Marguerite Abouet (illustrated by Clément Oubrerie)
  • Fruits Basket by Natsuki Takaya
  • Fun Home by Alison Bechdel
  • Imadoki! by Yuu Watase
  • Kinderbook by Kan Takahama
  • Me and Edith Head, written by Sara Ryan (illustrated by Steve Lieber)
  • Off*Beat by Jen Lee Quick
  • Paradise Kiss by Ai Yazawa
  • Rica ‘tte Kanji by Rica Takashima
  • Rumic Theatre by Rumiko Takahashi
  • Raina Telgemeier’s mini-comics
  • 12 Days by June Kim
  • When I’m Old and Other Stories by Gabrielle Bell
  • John offers some advice for readers who are increasingly frustrated by the shortcomings of the one, true category:

    “While I understand that many female readers wish to continue reading superhero stories, only without the offensive depictions of women, perhaps it’s time to look at the overwhelming evidence on record and cut one’s losses. Why support publishers who seem to go out of their way to aggravate and alienate female readers? What incentive do those publishers have to change if you’re still buying their books?”

    “Just dump(ing) the superhero comics already” paid off rather handsomely for me. After roughly a lifetime of following them, I finally gave up after the one-two punch of Marvel’s Avengers: Disassembled and DC’s Identity Crisis. The portrayal of long-running female characters in those stories certainly didn’t help, what with the Scarlet Witch suffering the most ridiculous case of post-partum depression in human history and Sue Dibny gruesomely repurposed for a big, theme-y murder mystery that fell apart before it even started. The underlying notion that watching these icons pay for their failures was more entertaining (or mature) than watching them achieve their benevolent aims didn’t help either. Between the two, it was as simple as following the emergency lights to the fire exit.

    Would I recommend the strategy for everyone? Probably not. For readers whose interest in comics begins and ends with the Marvel and DC universes (and that’s not intended as any kind of criticism, because I was exactly that reader for ages, and I had a lot of fun), I don’t know if Ichigo or Naruto would actually present a satisfying alternative to Peter Parker. There’s a difference between wanting satisfying heroic adventure stories generally and wanting to see them built around a specific group of iconic characters.

    And the cyclicality of super-hero comics suggests that change is inevitable and perhaps the pendulum will swing back in a direction that doesn’t make certain readers grind their teeth in frustration. (Heroes Reborn became Heroes Return, after all.) I think that possibility is kind of a tease, to be honest, but anything’s possible. I can understand the optimism, though, even in the face of a mounting pile of damning evidence that the optimism is misplaced.

    I also think the concept of “It’s not for you” isn’t universally true. Though not created with me in mind, I’ve found plenty of shônen-ai and yaoi that fits right in with my sensibilities and genuinely delights me as a reader. I’m not a teen-aged girl, but it should be glaringly obvious that shôjo is my crack. People are distinct (and perverse) enough that they’ll like what they like irrespective of creator or publisher intent, and stubborn enough that diminishing returns can’t overcome the belief that things can get better, that there are diamonds among the coal.

    Still, if your only emotional response to the spandex hobby is frustration, there’s no down side to trying something different. You might not intuitively consider Ichigo or Naruto or Canon or Aria or the Elric brothers or whoever else to be an adequate replacement for Batman or Spider-Man or Ms. Marvel or Wonder Woman, and it might end up being a failed experiment, but you never know. And it’s not that much of an investment to find out, especially if your local library has jumped on the graphic novel bandwagon.


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