Sexy Voice and Robo MMF: Matt Blind

February 15, 2010

Matt (Rocket Bomber) Blind not only reviews Sexy Voice and Robo

“It’s a great mix of art and story and character, and I can only imagine what it’s reception would have been if Kuroda had been an American comicker in 2008 rather than a manga-ka in Japan in 2001.”

… he demystifies the “Moveable Feast” as it applies here:

“So our adaptation and use of the term ‘A Manga Moveable Feast’ could be considered as both a celebration with no fixed date (or location) and also a collection of voices and perspectives that may have no other common associations past the fact that they happen to cohabit the same space at the same point in time, and that they engage each other for so long as all inhabit the same moment. (But, of course, with manga.) (and trying to catch a little bit of that Paris magic.)”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


Sexy Voice and Robo MMF: Ed Sizemore

February 15, 2010

At Manga Worth Reading, Ed Sizemore draws some interesting comparisons between Sexy Voice and Robo and the work one of the defining creators of gekiga:

“Gegika chronicled the new social realities of the post-World War II industrial revolution in Japan. In particular, gegika focused on the underbelly of Japanese society that emerged as a result of Japan’s swift transformation from a rural and agrarian economic base to an urban and industrial one. By contrast, Sexy Voice and Robo’s neo-gegika explores the unseemly side of Japanese society that emerges in the wake of the computer revolution in the 1990s and 2000s. Japan is now shifting from an industrial economic base to a computerized one.”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


From the stack: Reversible vol. 1

February 15, 2010

Reversible (Juné) is a collection of short boys’-love stories by new-ish creators. It sounded ideal for a picky boys’-love reader like me, a chance to speed-date different manga-ka without having to commit to 200 pages of work that didn’t click. Unfortunately, a lot of the work feels like an audition, demonstrating a boys’-love skill set rather than exhibiting a specific voice or point of view.

That isn’t to say that the work contained here is ever particularly bad. The stories are polished for the most part. They’re also kind of generic.

Things start well with Saki Takari’s “Tell Me You Like Me,” a cheerfully smutty tale of salarymen at an awkward, early stage in their relationship. Takari’s pages have a lot of energy and a nice sense of composition, plus a sprinkling of character-driven humor.

Next up is an unremarkable story about an unrequited schoolboy crush, Goroh’s “Perfect Age.” Haruki Fujimoto’s “Boyfriend” covers the same territory later with equally unremarkable results. This trend of bland treatment of identical subjects recurs with Saito’s “Catch” and Kometa Yonekura’s “Caged Bird,” both of which feature curious bottoms and the aggressive tops who go a little faster than they’d like. (Just a little, though, and these stories are about as close as the volume comes to the “no… no… yes” stuff that leaves me cold.)

There are some fun bits in the mix. One is Neiri Koizumi’s “Sakuragawa University Cheer Squad,” which has the benefit of a quirky, ill-tempered protagonist. His crush on his nephew’s teacher is repeatedly undone by circumstances. Even more odd is the lead of Tomoko Takakura’s “Office Mermaid,” a tropical-fish-loving, germ-fearing salaryman who falls for the ethereal new guy in the server farm. “I’ll bet he doesn’t sweat at all,” swoons the fussbudget. Neither of these stories hews too closely to genre tropes, and both seem to indicate a level of personality and idiosyncrasy on the creators’ part. I’d read more by either of them.

Of the rest, I liked Shiori Ikezawa’s “It Falls at Night” about a pair of high-school boys trying to salvage some romantic time at the end of a too-busy summer vacation. There’s some awkwardness to the narrative, but the characters have nice chemistry and I liked the twist on the abandoned-school dare.

Misora Hatori’s “Dear Boys” is the most like a try-out first chapter of a longer series and, coincidentally, the one I’d be least likely to read in longer form. It seems to be about one of those weirdly coercive student councils that hopefully only exist in manga, an awkward mash-up of Ouran High School Host Club and Gakuen Prince with a little of Setona Mizushiro’s visual flourish. And it may not say anything about the empirical quality of the material, but there are few subjects less interesting to me than romantic relationships between humans and angels, no matter the gender mix, so Midori Nishiogi’s “Happiness, Fun, Kindness” lost me at the gate.

Is “I don’t regret buying this book” a positive review? I guess it must be in some sense, and I did like about a third of the work here and didn’t find the remainder offensive. There’s just a lot of competent porridge collected here, and it needed more spice.


Sexy Voice and Robo MMF: Brigid Alverson

February 14, 2010

Brigid (MangaBlog) Alverson weighs in on Sexy Voice and Robo and finds that the ingredients don’t quite come together:

“And yet, I feel like it could be so much better. This manga has a half-baked feeling, as if Kuroda realized what a good idea he had and started running with it before he was completely ready.”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


Happy Valentine’s Day

February 14, 2010

What are some of your favorite comics romances?


Sexy Voice and Robo MMF: Garrett Albright

February 14, 2010

Aside from the pleasure of seeing a bunch of people talk about a really interesting book, the Sexy Voice and Robo Manga Moveable Feast has had the happy side effect of introducing me to blogs that had previously escaped my notice. Garrett Albright of Yen Plus Info! added his thoughts on Iou Kuroda’s book and took a moment to introduce his blog:

“This is Yen Plus Info, a fan site primarily providing news and info about the Yen Plus comics anthology published by Yen Press, though lately I’ve been sharing my experiences with other comics both foreign and domestic. Why not check out the front page and browse a while?”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


Sexy Voice and Robo MMF: Reverse Thieves

February 12, 2010

The Reverse Thieves, Hisui and Narutaki, provide a tag-team review of Sexy Voice and Robo:

“It has a amazingly unique visual style and storytelling approach that sets it apart from your stereotypical manga while still retaining the greatest strengths and powers of Japanese visual story telling as well. This is a good series for anyone looking to shake up their regular manga reading habits, anyone interested in indy comics no matter where they come from, and even for people who dislike anything manga related but still are interested in graphic story telling.”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


Sexy Voice and Robo MMF: Michelle Smith

February 12, 2010

Michelle (Soliloquy in Blue) Smith adds her thoughts to the Sexy Voice and Robo Manga Moveable Feast:

“I really admire how Kuroda-sensei tells the story, because he doesn’t feed one the conclusions about Nico’s revelation on a spoon; all the clues are there, but one must make one’s own connections.”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


License request day: Japan Tengu Party Illustrated

February 12, 2010

The focus of this week is Iou Kuroda’s Sexy Voice and Robo (Viz), and while I’ll happily suspend some of this blog’s regular features, the Manga Moveable Feast seems like a good opportunity to cast a spotlight on some of Kuroda’s unlicensed work. I’ve already made a plea for his eggplant-inspired Nasu, so the next logical choice is Japan Tengu Party Illustrated.

This four-volume series originally ran in Kodansha’s Afternoon magazine and was later collected in a three-volume set, as near as I can tell. Let me just tell you that this title has been pirated within an inch of its life. There are about three pages of copyright-violating search results. Way back in 2005, Jog named it as one of ten manga he’d like to see licensed. Here’s his description:

“This was Kuroda’s first-ever extended narrative work, the only one (I believe) to build to a finale, four volumes of aged martial-arts master bird spirits inhabiting human costumes and periodically jumping out to flap around. They’re often rude and/or lazy, even though they’re nominally around to punish vanity, and there’s a pair of mysterious girls hanging around them, one of whom might be an artificial twin of the other, except she looks and acts nothing like her. Rendered in a rough, thick, black-heavy style. A beauty!”

Some of you may already be familiar with tengu courtesy of Kanoko Sakurakoji’s Black Bird (Viz), but I’m not a fan of that title, so I’ll hold out hope for an English version of Kuroda’s take on this class of yôkai.


Sexy Voice and Robo MMF: Tangognat

February 12, 2010

Tangognat takes a second look at Sexy Voice and Robo for the Manga Moveable Feast:

“One of the things that I like about Nico is that her character is more complex than the typical precocious child you’d expect to see investigating human behavior. While she might be worldly enough to manipulate Robo in order to get help her whenever she wants, she still maintains an element of innocence and a childlike point of view.”

Click here for a running list of entries to this edition of the Manga Moveable Feast.


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