Upcoming 11/24/2010

November 23, 2010

The last time I wrote about 7 Billion Needles (Vertical), Nobuaki Tadano’s manga homage to Hal Clement’s Needle, I neglected to mention the retro cover design, which is terrific. You know that smell that used paperback stores have? The look of the book evokes that smell, and the proportions of the book support it. The contents of the book don’t quite evoke that pulpy nostalgia, but they hint at it, and they’ve got their own charms.

In the second volume, Tadano inches forward with his meta approach to the tale of two warring aliens who crash on Earth and proceed to mess up the life of an isolated high-school girl and threaten the people around her. If Ultimo (Viz) is kind of a bland, accidentally creepy look at the endless battle between good and evil, 7 Billion Needles seems intent to play with the construct in ways that are perversely endearing. These moments aren’t the meat of the book, but they are the spice, and they’re welcome. They enliven what might otherwise be a standard, well-executed bit of violent angst.

And it is well-executed, even without the twists on the formula. This time around, Hikaru confronts a trauma from her past. With the encouragement of her new friends, she goes to the village where she spent her childhood and confronts the reason she’s shut herself off from the people around her. Of course, the ostensibly heroic entity sharing her body and the monstrous being they battle complicate the sentimental journey with plenty of menacing action.

This series really is a pleasant surprise. Of the four series Vertical has debuted this year, my expectations were probably lowest for 7 Billion Needles, but it’s smarter and more interesting than I had anticipated. Go read Kate (The Manga Critic) Dacey’s review for a thoughtful take on the book.

So what else is due this week? There’s the seventh issue of Secret Avengers (Marvel), a very enjoyable spin-off of a comics franchise I’ve long found really horrible, so that’s nice. It’s also one of the only successful attempts I’ve ever seen to make super-heroes “proactive.”

There’s also the debut of Kakifly’s K-On (Yen Press), a well-liked four-panel comedy about a high-school music club. It originally ran in Houbunsha’s Manga Time Kiara Carat.

What looks good to you?


Upcoming 11/10/2010

November 9, 2010

It’s one of those neat ComicList weeks where all kinds of interesting comics from throughout the space-time continuum are due to land.

Sean (A Case Suitable for Treatment) Gaffney tweeted about this book, and it has a definite allure for me as a person who read a lot of Archie comics in the back seat of the station wagon on long drives to various vacation destinations during his childhood. It’s Dark Horse’s Archie Firsts collection, which promises “first issues, first appearances, and other milestones, collected for the first time in one hardcover volume!”

I was a huge fan of Scott Chantler’s Northwest Passage (Oni Press), so it would stand to reason that I should pick up a copy of his Two Generals (McClelland and Stewart), which promises “poignant graphic memoir that tells the story of World War II from an Everyman’s perspective.” I’m not a history buff, per se, but Chantler is phenomenally talented.

The first volume of Lars Martinson’s Tōnoharu (Top Shelf) was very intriguing, so I’m looking forward to Martinson’s second look at a fish out of water teaching English in rural Japan.

Erica (Okazu) Friedman is crazy about Hayate X Blade (Seven Seas), written and illustrated by Shizuru Hayashiya, and that’s reason enough to seriously consider the purchase of the first omnibus collection of the series.

And I am crazy about Kou Yaginuma’s Twin Spica (Vertical), and I would never consider delaying in the purchase of the fourth volume. This is easily one of the great series debuts of 2010.

What looks good to you?


Momentous occasion

November 3, 2010

Vertical’s Ed Chavez reminds his Twitter followers that Osamu Tezuka was born on this day in 1928.

I’m really looking forward to Ayako. While it’s frustrating that there’s still so much of Tezuka’s work that has yet to be translated and published in English, it’s also kind of great that there’s still so much of Tezuka’s work that has yet to be translated and published in English. Anticipation, you know what I mean?


Upcoming 10/20/2010

October 19, 2010

Goodness, but it’s a dense ComicList this week!

Dark Horse continues to work its way through some of CLAMP’s most-loved back catalog. This week, it’s the first omnibus volume of Cardcaptor Sakura, originally published in English by Tokyopop and with an associated, legendarily butchered anime dub, if I remember correctly.

I liked the first volume of Chigusa Kawwai’s Alice the 101st (DMP) quite a bit. It’s about kids at a music school in Epcot Europe, and the second volume arrives Wednesday.

I’m also very fond of Konami Kanata’s Chi’s Sweet Home (Vertical), a slice-of-life tale about an orphaned kitten settling in with her new family. The third volume is due, and I’m working on a review of the series for later this week.

March Story (Viz), written by Hyung Min Kim and illustrated by Kyung-il Yang, is more interesting to me conceptually than it is for its individual merits. It originally ran in Shogakukan’s Sunday GX, and it’s by Korean creators, so that’s kind of unusual. Other than that, it’s very well-drawn but kind of average comeuppance theatre. It’s a big week for Viz’s Signature imprint with new volumes of 20th Century Boys, Kingyo Used Books, and Vagabond.

Yen Press is releasing a lot of product this week, but my clear favorite is the fourth volume of Svetlana Chmakova’s Nightschool, a complex, polished supernatural adventure about a school for mystical types.

What looks good to you?


Upcoming 9/29/2010

September 28, 2010

Only one item really pops out at me from this week’s Comic List:

Did you like Hitoshi Iwaaki’s Parasyte (Del Rey) but wish it had more contemporary art? Vertical can accommodate you in the form of Nobuaki Tadano’s 7 Billion Needles. It isn’t as smart as Parasyte, but it has a number of elements working in its favor.

I like the protagonist, for one thing. Hikaru is a high-school girl who, for reasons yet to be fully articulated, isolates herself from her fellow students via headphones and a media player of some sort. This state continues until her body is invaded by an interstellar entity on the hunt for a vicious killer. Hikaru and her uninvited guest must engage with people to find the poor soul who’s hosting this monster, known as Maelstrom.

As I suggested earlier, I also like the art. It’s clean and imaginative, packed with detail. The best way I can describe it is to ask you to suggest a muted combination of Yuji (Cat Paradise) Iwahara’s imagination and Kio (Genshiken) Shimoku’s obsessive-compulsive streak. Tadano doesn’t quite reach Iwaaki’s gory heights of imagination, but Tadano is also more persuasive in rendering the quieter moments.

The first volume is equal parts introduction to Hikaru and the concept and ensuing mayhem. It’s a solid starting point, and I’m looking forward to seeing her develop as a heroine and person. 7 Billion Needles was originally serialized in Media Factory’s Comic Flapper and was collected in four volumes. Comments above are based on a complimentary copy provided by the publisher.


Guilt by association

September 20, 2010

Over at NPR, author David Lipsky identifies his literary guilty pleasure, Marvel’s Runaways. Setting aside the justice of whether or not comics should still be considered a guilty pleasure instead of just a pleasure (and right after Read Comics in Public Day!), there’s been some consternation over a portion of his commentary:

“But I bear the books a grudge. Marvel collected them — because their biggest fans were female teenagers — in tiny digests with girlish covers that were intensely embarrassing to read on the subway. I kept locking eyes with people I could swear had just shaken their heads.”

What do you think of the covers of the first three digests? Do you find them particularly gendered?

On a slightly different front, I’ve seen a few people mention that they’re put off by the covers of Vertical’s Twin Spica, noting that they read a little young. Thoughts?


Upcoming 9/15/2010

September 14, 2010

It’s precision vulgarity week on the ComicList! By this I mean that there are a bunch of comics out this week that use shocking, potentially distasteful material to very good effect.

First up is the second volume of Felipe Smith’s Peepo Choo (Vertical). I agreed with Kate (The Manga Critic) Dacey on virtually every point regarding the first volume, but especially this one:

“Yet for all its technical virtuosity, there’s a hole at the center of Peepo Choo where its heart should be.”

Smith rectifies that in the second volume, and he endows his ensemble of losers and freaks with a level of sympathy notable in part for its near-total absence the first time around. It’s not that he’s any kinder to his cast. He dangles possibility in their paths only to yank it away. But their pains and disappointments feel more like a properly moving experience than a dazzling exercise in narrative cruelty, and Smith rounds out even the type-iest of members of his cast. The characters in Peepo Choo – the nerd who finally gets to go to his otaku holy land, the creepy jerk who just wants to lose his virginity, the spree killer who yearns to embody American phrases he doesn’t even understand, the smartest girl in class who’s undermined by her own body – all edge closer to a full, possibly crushing understanding of and liberation from their own misery (or at least the teasing promise of liberation).

The book is still brutally violent and creepily sexed up, but there’s nothing clumsy about the application of this kind of content. Smith knows exactly what he’s doing when a character spits a tooth in someone’s eye and another gets aroused watching it happen. I had my doubts that he was going anywhere particularly, peculiarly interesting with this kind of effect based on the first volume, but the tone really clicks this time around, and I’m abidingly curious as to how things will wrap up in the third and final book. For me, good satire, especially satire of individual obsessions and cultural fetishes, has to have a beating heart, something that pushes the reader past pity and into empathy, however limited, with the satire’s objects and victims. Smith makes that leap. (These remarks are based on a complimentary copy provided by the publisher. Oh, and Melinda [Manga Bookshelf] Beasi agrees with me, which I always take as a good sign.)

It isn’t nearly as dense or ambitious as Peepo Choo, but the sixth volume of Kiminori Wakasugi’s Detroit Metal City (Viz) is likely to be as coarse and funny as the previous installments. If you’re in the San Francisco area on Saturday, Sept. 18, you can catch the live-action movie adaptation of the death-metal satire, which is supposed to be pretty great.

It’s not on the ComicList, but the shop in my area lists the sixth volume of Adam Warren’s hilarious and smutty super-hero satire, Empowered (Dark Horse), as due to arrive tomorrow. This time around, Warren looks at the often transitory nature of death among the spandex set.

And the 11th volume of The Kurosagi Corpse Delivery Service (Dark Horse), written by Eiji Otsuka and illustrated by Housui Yamazaki, is a very welcome arrival indeed. This series takes a satirical look at ghost stories, people who help the dead reach their final reward, and pokes fun at the ambivalent ways we respond to the shuffling off of our mortal coil.

What looks good to you?


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