Early voting

November 8, 2010

In last week’s Pop Culture Happy Hour podcast, NPR’s Monkey See crew discussed (among other things) the advent of “Best of” season and greeted it with the weary resignation of people who will be writing and editing at least a few before December comes to a close. And, as if they uttered “Candyman” three times as they faced the mirror, the first few graphic novel lists have arrived:

  • Amazon’s manga-free Best Books of 2010: Comics
  • Publishers Weekly‘s Best Comics List
  • Like Christmas advertising, these things seem to arrive earlier and earlier each year. I’d guess this means we’ll probably see the companion Best Manga list in this week’s edition of Publishers Weekly Comics List.

    I was chatting with people about these lists on Twitter, and some trends emerged:

  • Moto Hagio’s A Drunken Dream and Other Stories (Fantagraphics) didn’t seem to make much of an impression outside of dedicated manga readers, which is disappointing to me as a dedicated manga reader.
  • While many fine comics from established talents arrived in 2010 (or at least in the ten months of the year so far), there were fewer big, splashy debuts or career-redefining turns by known quantities than there were in 2009.
  • Your thoughts? Any particular Japanese comics you would have liked to see on these more general lists?


    From the stack: Cross Game vols. 1-3

    November 8, 2010

    There’s a conversation that almost always starts when someone mentions a sports manga like Mitsuru Adachi’s Cross Game (from Viz’s Shônen Sunday imprint). Those among us who left athletic pursuits behind as soon as society permitted it (basically, once we had completed our high-school physical education requirements) ask if the comic is about sports or about people who play sports. Will we, as conscientious objectors to competitive athletics, be asked to care about the minutiae of some particular sport, an interest many of us cannot be bothered to fake even for loved ones, or do we just need to like the characters and let the details wash over us?

    While the details of baseball matter to a certain extent in Cross Game, they’re easy enough to ignore in the wake of the characters, a complex and sympathetic group who also manage to be idiosyncratic and funny a lot of the time. In other words, Cross Game is undeniably about baseball, but it’s not so much about baseball that people who don’t give a fig about the sport won’t find their price of admission paid in a variety of other ways.

    One of those ways is Adachi’s own idiosyncratic nature as a creator. The tone of the three-volume introduction to Cross Game shifts a great deal from chapter to chapter, sometimes page to page, but the shifts work. Low comedy sits comfortably next to innocent romance, just as sly slice-of-life isn’t out of place near unexpected tragedy. It really is marvelous to watch Adachi mix and match but still make all of these disparate bits seem like they’re part of the same whole.

    Part of that has to be due to his fluid art style. It’s got innocence to it and simplicity of line, but that doesn’t keep it from exhibiting strength and wonder. I sometimes think that’s one of Tezuka’s greatest contributions to cartooning – abundant evidence that something can be simultaneously cute and forceful, goofy and moving, delicate and muscular. Adachi lives up to Tezuka’s example nicely, even throwing in some of the master’s bits of fourth-wall breakage. He also does a nice job with the small modulations of a cast that ages about five years over the book’s three volumes.

    Another part is that he writes well, particularly in terms of creating engaging, root-worthy characters with a few simple strokes. We meet average kid Ko Kitamura, son of the local sporting goods franchise and an indifferent athlete, and we’re introduced to the four Tsukishima sisters, heirs to the local batting cage and café. It’s clear that Ko is our core protagonist, but it’s equally clear that the manga isn’t really about people standing around and admiring him. It feels like an ensemble piece, even if it isn’t in its secret heart, but it’s always nice when a creator goes to the effort of camouflaging the obvious conclusion.

    The first collection reads in a breeze, and I’m fairly sure that the only reasonable response when setting it down is, “That was really, really nice.” The rather odd back-cover text suggests that Cross Game “will change your perception of what shônen manga can be,” which might be asking too much of it, but it’s got an off-kilter quality – a willingness to give its subject a sidelong glance rather than charge at it — that certainly helps it stand out from the pack. It’s unusual and, partly because of that, kind of lovely.

    (This review is based on a complimentary copy provided by the publisher. You can read the first chapter on Viz’s Shônen Sunday site.)