“T” is for…
Well, first and foremost, it’s for some amazing creators.
Many would argue that there wouldn’t be much of a manga alphabet of any sort without the efforts of Osamu Tezuka. Instead of trying and failing to capture his scope, I’ll just point you to his official site and to the invaluable resource, Tezuka in English. Oh, and I’ll note that the excellent Kate (The Manga Critic) Dacey has begun “Tezuka Appreciation Week.”
Tezuka actually appears in the autobiography of Yoshihiro Tatsumi, A Drifting Life (Drawn & Quarterly). Tezuka was initially an inspiration for Tatsumi and later a sort of rival as Tatsumi tried to invest comics with mature themes as he led the development of gekiga. Drawn & Quarterly has made a number of his comics available in English, the most recent example being Black Blizzard.
A great deal of manga published by the gifted, meticulous draftsman Jiro Taniguchi has been made available in English thanks to publishers like Viz (Benkei in New York, Hotel Harbour View) and particularly Fanfare/Ponent Mon, which has published The Walking Man, A Distant Neighborhood, The Ice Wanderer and Other Stories, Summit of the Gods, and…
The Times of Botchan, written by Natsuo Sekikawa and based in part on the life of Soseki Natsume, premiere novelist of the Meiji Era.
Akira Toriyama, best known for shônen hits like Dragon Ball (Viz), has also dabbled in seinen with works like Jiya, serialized in Shueisha’s Weekly Young Jump.
Kei Toume is probably best known to English-reading audiences for her Lament of the Lamb (Tokyopop), which originally ran in Gentosha’s Comic Birz. Other seinen works include Kurogane (Del Rey), Momonchi (Shogakukan’s Big Comic Spirits Special), and her current series, Mahoromi – Jikuu Kenchiku Genshitan (Shogakukan’s Big Comic Spirits).
I’ve loved everything I’ve read by Kan Takahama, even if that’s only her collection of short stories, Kinderbook, and a contribution to Japan as Viewed by 17 Creators, both from Fanfare/Ponent Mon.
In addition to being the creator of much-loved shônen fantasy-adventures, Rumiko Takahashi also creates sophisticated seinen comedy like Maison Ikkoku and unique pieces like One-Pound Gospel. Viz also published some outstanding collections of her short stories, Rumic World Trilogy and Rumic Theater, both of which are unfortunately out of print.
There are probably very few mangaka quite like Yoshiharu Tsuge, who was profiled in The Comics Journal Special Edition 2005. Tsuge’s Screw Style was published in The Comics Journal #250.
Moving on from creators, I would be remiss if I didn’t mention Tokyopop, one of the foremost English-language publishers of comics from Japan. They’ve published loads of seinen in their day.
Like Tokyopop, French publisher Tonkam has released a ton of seinen over the years.
Town of Evening Calm, Country of Cherry Blossoms (Last Gasp), written and illustrated by Fumiyo Kouno, is one of the finest manga ever to be published in English. It originally ran in Futubasha’s Weekly Manga Action.
Tokyo Zombie (Last Gasp), written and illustrated by Yusaku Hanakuma, is not one of the finest manga ever to be published in English, but it’s stupid in a fun way and an interesting specimen of the “Bad, but Good” school of manga. It originally ran in Seirinkogeisha’s AX.
Tenjo Tenge (CMX), written and illustrated by Oh! Great, is notorious enough that I really don’t need to go into any detail, do I? It’s been rescued from limbo by Viz. It originally ran in Shueisha’s Ultra Jump.
Translucent (Dark Horse), written and illustrated by Kazuhiro Okamoto, is a lovely tale of a young woman with a disease that makes her disappear from time to time. It’s on hiatus, but many of us hope to get more volumes of the series. It originally ran in Media Factory’s Comic Flapper.
Comic Flapper is also home to Twin Spica (Vertical), written and illustrated by Kou Yaginuma. It’s a lovely look at trainee astronauts and easily one of the best new releases of 2010.
Tekkon Kinkreet: Black and White (Viz), written and illustrated by Taiyo Matsumoto, is an amazing comic that follows the tragic-absurd adventures of two homeless kids who function as superheroes in a crumbling urban landscape. It originally ran in Shogakukan’s Big Comic Spirits.
Big Comic Spirits was also home to 20th Century Boys (Viz), written and illustrated by Naoki Urasawa. This may be my favorite Urasawa title, which is saying something.
I know I left some licensed, translated titles off of this list, but surely I hit the high points, right? I’ll be equally cherry-picky with the unlicensed ones, because this is getting ridiculously long.
You know how you always hear how there’s this tonnage of manga about mahjohng? Well, one of those titles is Ten, written and illustrated by Nobuyuki Fukumoto. It’s about a great player who helps out his friends by subbing for them in important matches, then letting the people he defeated beat him up to help vent their disappointment. It ran in Takeshobo’s Kindai Maajan Gold for about 13 years and was collected in 18 volumes.
I’m always interested in seeing more examples of romance comics targeted at adult men, and Fumi Saimon’s Tokyo Love Story sounds like a good example. It originally ran in Shogakukan’s Big Comic Spirits.
And while it’s probably completely unmarketable in North America, I think I would possibly kill for someone to publish Tetsuko no Tabi, written by Hirohiko Yokomi and illustrated by Naoe Kikuchi. It’s “based upon the real life hobby of Hirohiko Yokomi, a travel writer in Japan who has visited every train station in Japan over the past 15 or so years.” It ran in Shogakukan’s IKKI and was collected in six volumes.
What starts with “T” in your seinen alphabet?