I’m really looking forward to Ayako. While it’s frustrating that there’s still so much of Tezuka’s work that has yet to be translated and published in English, it’s also kind of great that there’s still so much of Tezuka’s work that has yet to be translated and published in English. Anticipation, you know what I mean?
The Comics Reporter reminds us that today is the amazingly talented Taiyo Matsumoto’s birthday. If you haven’t done so already, I recommend that you mark the occasion by reading his GoGo Monster (Viz). I reviewed the book in this Flipped column:
“Beyond his marvelous illustrations and elliptical storytelling, the fascinating thing about Matsumoto’s work is his ability to make me root for undesirable outcomes. In Tekkonkinkreet, I found myself hoping that its protagonists would accept the futility of their fight for Treasure Town, that they would cut their losses. In GoGo Monster, I found myself siding with the forces of conformity. Admirable as Yuki’s sense of self is, and enviable as his immunity to social pressure may be, I still was persuaded by Matsumoto’s argument for a healthy, happy Yuki, even if it resulted in a less interesting, less special Yuki.”
It’s a great, great book, as is Tekkonkinkreet (Viz).
I’m still hoping that Viz will take another crack at Matsumoto’s No. 5. I think Blue Spring is still in print. Christopher (Comics212) Butcher posted a wonderfully thorough round-up of Matsumoto’s work and adaptations of it.
What’s your favorite Matsumoto title?
I learned via Twitter that today is the birthday of one Faith Erin Hicks, so I would suggest you celebrate this occasion by picking up a copy of her fun look at clique warfare, The War at Ellsmere (SLG). Here’s a bit of my review of the book:
“For all of the book’s easy charm, it’s very tightly written. Hicks finds a solid, compelling plot in Jun’s first year at Ellsmere. She fleshes it out nicely with well-developed characters and, more importantly, chemistry among those characters. That’s a really important next step, and I think some creators may neglect it. There also seems to be more confidence in terms of voicing characters here than in Zombies Calling; there’s a similarly metatextual quality to the dialogue, but it’s dedicated more to the characters’ feelings than the shifting rules of zombie combat.”
Just for the record, I’d still happily read a sequel to this.
It’s Steve Lieber’s birthday, and if you’d like to mark the occasion while scoring a really good mini-series in the process, I recommend you pick up the collection of Underground (Image), illustrated by Lieber and written by Jeff (Agents of Atlas) Parker. Lieber and Parker tell the tale of a principled park ranger trying to protect a cave system from greedy developers and trigger-happy thugs, and it’s a nifty bit of genre entertainment that doesn’t usually get much play in comic-book form, unless someone folds in vampires or werewolves. Here’s my review of the first issue. The series held up nicely throughout, and I’d love to read a sequel.
It’s sometimes a little tricky to recommend a particular birthday book when the creator’s body of work is so strong overall, and that’s the case with Rick Geary. I could go with Dark Horse’s hardcover collection of the charming The Adventures of Blanche, but I first became familiar with his work in the context of his excellent true-crime comics, so I’ll dip into that well.
But even with that set of boundaries, which one should I choose? They’re all good, and they don’t need to be read in any particular order. I could throw the titles into a hat and pick one at random, but one volume has managed to inch ahead in my mental Geary library: The Saga of the Bloody Benders.
Geary’s approach to true crime has always got some added value to it, as he takes the time to explore historical and cultural circumstances that either influenced or provided context for the atrocity in question. This tale of an opportunistic family of cutthroats in Kansas is no exception. And there’s just something creepy about such a nest of vipers occupying those wide open spaces (even wider and more open then than now) in the midst of so much homesteader optimism.
A distinguishing characteristic of The Bloody Benders is that I feel like it netted more effusive critical attention than Geary’s Treasury of Victorian Murder books had up to that point. The quality of the reviews was as admiring as always, but the number of them was higher, which was gratifying to see. Here’s a representative snippet from Tom (The Comics Reporter) Spurgeon:
“The story stays with you. Something about the way Geary delineates the proportions of the living area gives the recurring crimes a horrifying intimacy, and when the nature of what’s going on is revealed as the narrative progresses the thoroughness with which the Benders cleave to murder and atrocity astonishes.”
The book also made the Young Adult Library Services Association’s 2008 list of Great Graphic Novels for Teens.