NPR is really getting its geek on lately. First they do that piece on the Eisner Awards for All Things Considered, and then they cover not just anime, but a really specific niche of anime fandom on today’s Morning Edition.
I know that it’s kind of irksome when a publisher is specifically created to be a movie property shop, but since Tokyopop established itself as a comic publisher first, I’ll give them a pass and not get too cynical about their new deal with the William Morris Agency.
And who would have ever guessed that Princess Ai would be one of their first in-development properties?
(I said I wouldn’t get too cynical. I didn’t say I wouldn’t get cynical at all.)
It’s impossible for me to be cynical at all about the news of the strong sales for Drawn & Quarterly’s collection of Tove Jansson’s Moomin strips, because I love them. I also squealed a little bit when I saw the second volume listed in the current Previews catalog.
It’s very kind of John Jakala to suggest coping strategies for people who will be a little discombobulated by the slower release schedule for Bleach. From a purely selfish perspective, this means it will be easier for me to catch up. (Has anyone else seen that tacky Cartoon Network commercial for the Bleach anime starring Orihime’s rack?)
Regarding the next wave of Minx books, I’m so delighted to see that Joelle Jones is drawing one of them. I think she’s just incredibly talented. I’m also happy that Andi Watson is following up on his Clubbing character. (Is Josh Howard drawing it? If not, I won’t mind too much, as I thought his illustrations were kind of serviceable.)
Brian Wood isn’t the first creator that would come to my mind when lining up people to create for Minx, but that’s neither here nor there.