The terrible economy has sent more people than ever out into the yard with shovels and seed packets. Harvest time is fast approaching, and gardeners of every experience level will soon be pondering that universal question, “What the heck am I supposed to do with all of this stuff? Who needs this much eggplant?”
Leave it to Iou Kuroda to turn the ubiquitous, easy-to-grow fruit/vegetable into a manga series, Nasu, that I really, really wish someone would license and translate into English. It was originally serialized in Kodansha’s Afternoon magazine and collected in three volumes. Here’s what Wikipedia has to say about it:
“Nasu is a collection of stories, focusing on a returning [DW — does the author maybe mean ‘recurring’?] series of characters, such as Takama, a farmer, and a young girl named Aya Takahashi, who begins the series abandoned by her father and residing in Tokyo with her two younger siblings, and as the manga progresses to its second volume, leaves the city to reside in the countryside with her relatives, near Takama’s farm. Apart from the chapters concerning Takama and Aya, other stories are also featured, such as one telling the chronicles of samurai in the Edo period hunting forbidden eggplant (nasu), another set atop a futuristic Mount Fuji, another tale concerning a truck driver, and also ‘Summer in Andalusia’, the story concerning the professional Spanish bicyclist Pepe Benengeli, from which the film was adapted.”
It was also published in French by Sakka, but I can’t find it anywhere on Sakka’s web site. Here are the listings for its three volumes on Amazon France.
Aside from the fact that it sounds awesome, Kuroda is one of those creators who tops my “Please license more work from this person” wish list. This is based on my abiding love for his one work available in English, the splendid Sexy Voice and Robo (Viz), which was originally serialized in current buzz-anthology IKKI. Here’s some critical reaction to that book:
“So multi-layered is this manga that any attempts to explain the story end in ‘Oh, just read it and you’ll see.’ And there’s no reason not to read it—it’s smart enough for picky intellectual comics nerds, thrilling enough for action lovers, and deep enough for those who care about characters, emotions and drama.” Carlo Santos, Anime News Network
“Sexy Voice and Robo is a marvelous comic. Kuroda’s singular vision and craft transcend conventional ideas of genre and storytelling. It’s one of the best graphic novels I’ve read all year, and you really should try it, even if you don’t think you like manga.” Me, Comic World News
And here’s Shaenon K. Garrity’s image-rich celebration of the book in her Overlooked Manga Festival which, incidentally, is where I first heard about Nasu.
Seriously, I’ve never run into anyone (mostly the web version of “run into,” obviously) who has read Sexy Voice and Robo who doesn’t yearn for more of Kuroda’s work to be licensed and translated. And Viz, since you’re sharing IKKI titles online, why not throw Sexy Voice and Robo into the mix? It’s one of the best things you’ve ever, ever published, so give it a second chance.
Sunday, Sunday, SUNDAAAAAAAAAAY!
July 24, 2009I’m taking a week off from the license requests. Sometimes you just have to try and catch up with what’s actually available, and Viz isn’t making it easy with all of the freebies on its SIGIKKI and Shonen Sunday sites. It’s the end of the week, and I’m kind of fried, so I’ll take a look at the presumably more lighthearted shônen fare of the latter.
First of all, I have to say that I like the way Viz is assembling these animated trailers. They look nice; Kate Dacey used the one for Daisuke Igarashi’s Children of the Sea in a recent post, and it’s very effective. Second, I don’t really have anything to add to what I’ve already said about Rumiko Takahashi’s Rin-Ne; it’s solid entertainment, but it has yet to change my life. Third, I still don’t like reading comics on a computer, but Viz’s platform is simple enough to use and readable in scale and resolution, at least on my screen.
Now, on to the new series:
Arata: The Legend, by Yuu Watase: Here’s how smart I am. My eyes passeded over the creator credit not once but twice before I started reading this, and one of my reactions to the comic was, “That’s kind of weird to have a Yuu Watase knock-off in a shônen magazine.” Of course, it is Watase, and it does seem kind of weird for her work to be in a shônen magazine, but weird in a nice way. I always like it when women branch into shônen and the less frequent phenomenon of men creating shôjo (though the only one I can think of who’s been licensed and published is Meca Tanaka), and Watase is very popular and has always been able to spin solid fantasy-adventure tales.
In this one, a young man must pretend to be a young woman to fulfill his clan’s obligation to provide princess-protectors to his nation. The ruse goes badly wrong in some unexpected ways, and, judging by the series description, further drastic twists are pending. There’s not much else I can say about it at the moment, other than it’s wonderfully drawn, like all Watase series, and that I already like it loads better than her last licensed outing, Absolute Boyfriend (Viz). That’s good enough for a start.
Hyde and Closer, by Haro Aso: This one reminded me a lot of Akira Amano’s Reborn! (Viz), though I’m much more favorably inclined to a magical legacy than someone being destined to a life of organized crime. Lead character Shunpei Closer devotes a lot more energy to avoiding conflict and embarrassment than he’d ever expend just sucking it up and facing what life throws at him. His aversion techniques won’t be of much use when sorcerers around the globe learn that they can gain enormous power by killing him. Fortunately, his missing grandfather left Shunpei some protection in the form of a cigar-smoking, bourbon-drinking teddy bear. You read that correctly. Stuffed-animal mayhem ensues, which is both adorable and disturbing. I’m not sure how well the premise will hold up, but it’s hard to resist the stuffing-soaked action.
Kekkaishi, by Yellow Tanabe: This series has been around for a while, and it’s much admired by various people with excellent taste (most notably John Jakala). So what we have here is an under-appreciated title that’s already got a lot of volumes in circulation; it’s a smart move of Viz to give potential readers a low-risk entry point to the series. The whole concept of free chapters on line is smart, but especially for books with an imbalance of critical regard and sales. I very much liked the first chapter about dueling families of demon hunters. Young Yoshimori Sumimura is destined to be his family’s leader, but he’s got no love for their traditional profession. He’ll have to come around and live up to his potential. Tanabe has assembled a clear, concise mythology and a solid emotional foundation for the characters. The art is terrific, particularly the action sequences, and there are lots of fun, funny touches. I particularly liked the cranky grandparents of the warring clans, and I immediately started ‘shipping them, which is always a good sign. This is definitely the hit of the site for me.
Maoh: Juvenile Remix, original story by Kotaro Isaka, story and art by Megumi Osuga. I got a bit of a Death Note (Viz) vibe from this one, in that it seems intent on providing thrills with an added layer of moral complexity. It stars Ando, a high-school student who’s gone to some pains to conceal his psychic ability. He can make people around him say things he’s thinking. That’s an odd and narrow enough super-power to make me suspect that the creators have something interesting in mind. Ando meets Inukai, the oddly charismatic leader of a local vigilante group that’s trying to restore order to the rather raucous streets of the city. Ando is intrigued by Inukai’s desire to change the world for the better, but vigilantism has a dark side. As Death Note proved, you’re unlikely to go broke telling morally ambiguous tales starring hot guys. Count me as intrigued.
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